A commission made for the 'Cinema of Transgression' retrospective. 3 separate photo graphs were installed in two grotty toilets of a gallery. In one toilet a life size mirror image print was installed in a frame looking back at the person sitting on the toilet. In the second toilet two framed pictures had double exposed images of punk looking model shot in the same position/location as the viewer would be standing. The lighting in the toilets had blue filters. The frames were covered in burnt tin foil.     The work continued Lash Frenzy's work in multiple time frames but also combined the morbid attraction of gritty, junkie, punk, outsider, sexual aesthetics of the cinema of transgression. The blue lighting used was the same as that used in public toilets to prevent drug addicts from finding their veins to inject.    
       
     
kay kay right.jpg
       
     
kay kay full length.jpg
       
     
kay kay left.jpg
       
     
deathtripping programme.jpg
       
     
Deathtripping flier.jpg
       
     
 A commission made for the 'Cinema of Transgression' retrospective. 3 separate photo graphs were installed in two grotty toilets of a gallery. In one toilet a life size mirror image print was installed in a frame looking back at the person sitting on the toilet. In the second toilet two framed pictures had double exposed images of punk looking model shot in the same position/location as the viewer would be standing. The lighting in the toilets had blue filters. The frames were covered in burnt tin foil.     The work continued Lash Frenzy's work in multiple time frames but also combined the morbid attraction of gritty, junkie, punk, outsider, sexual aesthetics of the cinema of transgression. The blue lighting used was the same as that used in public toilets to prevent drug addicts from finding their veins to inject.    
       
     

A commission made for the 'Cinema of Transgression' retrospective. 3 separate photo graphs were installed in two grotty toilets of a gallery. In one toilet a life size mirror image print was installed in a frame looking back at the person sitting on the toilet. In the second toilet two framed pictures had double exposed images of punk looking model shot in the same position/location as the viewer would be standing. The lighting in the toilets had blue filters. The frames were covered in burnt tin foil.

 

The work continued Lash Frenzy's work in multiple time frames but also combined the morbid attraction of gritty, junkie, punk, outsider, sexual aesthetics of the cinema of transgression. The blue lighting used was the same as that used in public toilets to prevent drug addicts from finding their veins to inject.    

kay kay right.jpg
       
     
kay kay full length.jpg
       
     
kay kay left.jpg
       
     
deathtripping programme.jpg
       
     
Deathtripping flier.jpg